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With the strong start, I expected it to be fantastic all the way through. Sadly, it was not. So I slogged on. There were many times I would have rather set it aside and not finished, but that pesky little voice kept telling me that I was obligated. So I finished. I'm afraid that the first few chapters were the only things I liked about this one. After that, there was no connection.

Jane was weak, Edward was creepy, Dorie was With the story, it felt a little disjointed to me. Nothing quite fit. Maybe that was the point, and it's some sort of metaphor for how Jane doesn't really fit in. I actually quite like that idea, and if that's the case, the bravo to Ms. Connolly because it works.

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If it wasn't a metaphor, then it falls flat for me. In all honesty, I felt like this a lot of the time: And this: In the end, it turns out that I'm just not meant for a relationship with some books. I would never say that this was poorly written, because I don't think it was. It just wasn't for me. It might be just the thing for someone else, so before deciding to never pick it up, give it a shot and see.

I'd LOVE to see someone else absolutely love it, because it would just prove us all right when we say that every book has a home. Ironskin was a 1. Oct 15, Merrie Haskell rated it it was amazing Shelves: jane-eyre-retellings , something-deep-and-dark. This review has been hidden because it contains spoilers. To view it, click here. Another addition to my Jane Eyre retellings shelf.

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I'm hugely biased because of the source material, and full disclaimer, I also know the author and enjoy her greatly as a person. That said Full on Jane Eyre retelling awesomeness, dark and compelling, with a dish of Tam Lin on the side. Jane has survived a fairy war; the images of fighting the fairy war are extremely powerful and evocative. World-building in high concept scenarios so often lets me down, but this was both subtle an Another addition to my Jane Eyre retellings shelf.


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World-building in high concept scenarios so often lets me down, but this was both subtle and strong. The fey are odd and amazing, and fascinatingly engender a kind of technological revolution far ahead of the natural order of things. But I address these JE retellings on their JEness, not their own merits ridiculously, but we all have our bears to cross. This version of the story gives Jane a fully realized family past.

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She has a living sister, and memories of her mother and brother. This is an orphan Jane but not on the same level as our original heroine. Edward Rochart is far more Tam Lin than he is Rochester, in my mind; I did not see a whole lot of Rochester's over the top adoration for his Jane, but more of Tam Lin's purposeful and vaguely cynical use of Janet. Am I reading too much into that?

Rochart was not my favorite version of Rochester, nor my favorite character in this book, but Jane more than made up for it through one simple authorial choice: rage. Jane's fairy curse is rage.

She's been scarred, and the scar gives her rage and radiates rage toward everyone else. When she's actually angry, the rage intensifies the anger. Iron stops it, but it's poisoning her internally. One of the things that movie adaptations so often fail with regard to Jane Eyre is adequately conveying the roiling inner turmoil of Jane, which includes the, well, rage that lives within her and causes everything from her behavior as a child in the Red Room on up through her declaration as Rochester's equal through her denial of St.

John's offer of loveless marriage. It is often mistaken for passion, that rage, and that's not wrong; but it's passion in the traditional sense of the word, it's the suffering Jane endures, born of the mountain of injustices she's been buried under. That raging Jane is the Jane I understood, subtextually, when I first read Jane Eyre when I was 13; and it's the raging Jane who is so often glossed over in reinterpretations, adaptations, analysis, and commentary. It was really nice to see her here, in Connolly's version.

I was intrigued by the concept behind this take on Jane Eyre , and I'm open to new spins on old tales. Unfortunately, writers have a tough task ahead of them when they take on projects like these, because comparisons to the original are inevitable. Readers don't expect the same story, but we expect many of the elements that we loved so much in the source--and unfortunately, Ironskin 's charms fall short of Jane Eyre 's in every respect.

The world in this novel doesn't feel fully realized; we're giv I was intrigued by the concept behind this take on Jane Eyre , and I'm open to new spins on old tales. The world in this novel doesn't feel fully realized; we're given just enough information about the Great War between the humans and fey to understand the plot, but not enough for a feeling of immersion.

Here, they seem to realize they're in love with each other because the author decided it was time for them to do so. And truthfully, a number of teams who've adapted Jane Eyre for movies or television have made the same mistake. As individuals, the characters hold up no better than their relationship. This Jane isn't unlikable; she does share the bravery, stubbornness, and determination of her predecessor. However, she also comes up short.

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Here, we're just told that Jane Eliot is a resolutely moral creature--mostly by her sister Helen, who's a dingbat with zero credibility. The appeal just isn't there. I'm not sure I can go with more than two stars because I couldn't truly recommend this novel to anybody. Apr 09, Kara-karina rated it really liked it. Egalley thanks to Tor Books This is another book I would hesitate to even call steampunk-ish.

This is more of a Gothic novel in alternative reality.

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Really atmospheric and strangely beautiful like most of Gothic novels I've had pleasure to read. The plot is ever so familiar that anyone who've read Jane Eyre or watched the movie would recognise it straight away. And yet, Blanche for example is a passing character, there is no mad wife, and Jane has a younger sister, so even if you know that this is Egalley thanks to Tor Books This is another book I would hesitate to even call steampunk-ish. And yet, Blanche for example is a passing character, there is no mad wife, and Jane has a younger sister, so even if you know that this is another interpretation of the famous novel it's not that predictable and it will surprise you from time to time.

Jane is a very strong woman, but she is only coming into her powers in this book, the author is still unsure as to how to sculpt her character so Jane goes through a lot of yo-yo moods and changes in personality, but, MY GOD, by the end of the book she is someone you would not want to cross. Absolutely formidable! Dorie was pretty amazing, otherworldly and difficult. If you ever watched Firelight, she strongly reminded me of Louisa, and I could understand the challenges Jane faced trying to forge connection to her. Rochart was perhaps the coldest character in this book. I really couldn't get a feel of him, and you can blame him for the lower rating I gave to Ironskin.

I also felt that there was no chemistry between him and Jane. Aside from that minor problem, the world-building is very interesting, especially the representation of Fey - these cold, alien, eery beautiful creatures, that everyone is terrified of.


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Any fey detail was fascinating and carefully incorporated into the mythology of the world. Overall, a fabulous promising novel with very dark undertones, wonderful secondary characters and great world-building. Recommended to all fans of Gothic literature. I wasn't sure about Ironskin at all when I initially picked it up. I don't generally like stories based on classic novels, and Jane Eyre is one of my favourites, but as I got into this, I rather liked it. It doesn't follow the novel too closely, doesn't break its own logic to fit the novel's plotline; it makes and sustains a world of its own.

There are parallels, more than similarities, if that disti I wasn't sure about Ironskin at all when I initially picked it up. There are parallels, more than similarities, if that distinction makes sense. I enjoyed the first half of Ironskin quite a lot; I know other people found it slow, but I enjoyed that. The romance is, of course, quite closely parallel with Jane Eyre and Mr Rochester, so I can't really fault it for the brevity of that aspect. It isn't quite as compelling as the original, though.

Towards the last third or so of the book, it gained a lot of momentum and became a much more important in the sense of far reaching consequences for the world story. I didn't like that so much. Sometimes you get sick of people saving the world -- I wanted the story of Jane saving herself, Dorie and Edward, not the world. I wanted it to end on a more personal note. The strength Jane finds isn't a bad thing, but the story just didn't take a direction I was interested in.

The high drama of the last third after the post-war calm at the beginning didn't work. I was prepared for an introspective story about recovery, from the beginning, and it became a story about war. It's a very interesting idea, and I enjoyed the fey lore and the set up. I don't know if I'll read more books in this series -- my heart sank rather when it diverted almost completely from Jane Eyre.